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  • Singing sensation Aaliyah stars as the queen of all vampires, awakened by the music of a. Watch your purchase on Movies Anywhere supported devices.
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  • Michael Rymer stages high-tech sequences combining gore, romance, and gothy music, and he has enough conviction to make what could have been very silly strangely provocative.
  • It isn't great entertainment or camp, but pic sets its ambitions so low, it can't help partially delivering on them.
  • The film is vampire roadkill.
  • Rice's complex, sprawling novel is rendered virtually incomprehensible by a combination of lacklustre direction, risible dialogue and shoddy effects.
  • Screenwriters Scott Abbott and Michael Petroni have turned Rice's complex Akasha into a cartoon monster.
  • Queen of the Damned leaves us puzzled as to why the term 'damned' applies at all, when vampirism is depicted as so cool, fashion-savvy and glamorous.
  • The performances are so leaden, Michael Rymer's direction is so bloodless and the dialogue is so corny that the audience laughs out loud.
  • ... too gory to be a comedy and too silly to be an effective horror film.
  • Aaliyah fans, as well as fans of charisma, sex, and violence, will be sorely disappointed.
  • Entertainment Weekly

    2/26/2002 by Lisa Schwarzbaum

    Rymer doesn't trust laughs -- and doesn't conjure proper respect for followers of the whole dead-undead genre, who deserve more from a vampire pic than a few shrieky special effects.
  • Devoid of even MTV-caliber originality.
  • Plays out rather drearily.
  • [S]o dull that you may be tempted to slip the projectionist 50 bucks to turn on the house lights and see what happens to the vampire cast.
  • [A] boldly stroked, luridly coloured, uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain.
  • For any of those die-hards still shunning daylight while anxiously awaiting the release of Queen of the Damned, I have two words for you: sunblock, matinee. Or, try this pair: dollar theater.
  • San Francisco Chronicle

    2/22/2002 by Edward Guthmann

    Directed by Australian filmmaker Michael Rymer, who showed promise in the low-key Angel Baby, Queen of the Damned is self-serious, pointless and silly.
  • At its best, Queen is campy fun like the Vincent Price horror classics of the '60s. At its worst, it implodes in a series of very bad special effects.
  • Queen of the Damned wouldn't be so bad if it weren't so boring.
  • Aaliyah rarely dampens her diva persona enough to spark genuine chemistry with Townsend. When she speaks, her creepy Egyptian demigod voice is as computer processed and overproduced as it was in her music.
  • ... the kind of mess that never should have made it to theaters.